Gonzalo Borondo was born in Spain in 1989. Driven by the will of face himself with a collective dimension, exploring the complex relationship between Art and “Public”, he started painting in the public space in 2007. His works stem from the dialogue with the context that he is facing, from the encounter with memories of places and people: context creates the work, which changes (with) the space. Experimentation is the basis of Borondo’s artistic research, focused on extending the resources of painting to disciplines, supports (glass, straw, ceramic, wall surfaces, wood…) and multiples aesthetic practices. The heart of his poetry is searching for what is sacred and the subtle nature of human psyche. Borondo realized paintings and installations of public art all over the world, getting the award Arte Laguna within the section “Land Art and Urban Art” in 2018 thanks to the work “Cenere” (Selci IT, 2017). He started displaying personal shows in Rome, Madrid, Paris, London and Marseilles, expositive projects of experience-based installations in 2012. His studies are now focused on the intention of livening up painting through innovative analogical processes, where the interaction of sound, light and video, synthesized on the glass, is a scene of dynamic paintings that are between visible and invisible.